In the early ´80s while doing fashion photography I had to learn some ways of faking sunsets. Warm pictures were in, but the sun was rare and sunsets short. Bouncing the tungsten lamp into the reflector gave me a larger light source. I think I have about 14 different reflectors in varying sizes and surfaces, including a blue reflector if I want to convert tungsten to daylight. Clients love the warmth.

A. Subjects
B. Camera: Mamiya RZ67 Pro II w/110mm lens,
Kodak Pro 400MC film, exposure 1/30 sec @f:5.6
C. 650w AARI Tungsten Fresnel spot
D. Photoflex soft gold reflector

Other: no filter